Thursday, May 9, 2013

Forward Magazine Summer 2013 Has Finally, Finally Arrived

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At last it seems, Forward has hit the shelves. The free publication is written by students, for the students; and after being bored with the previous editions, I decided (persuaded) the Marketing Team to let us create a Music Edition. As I offered creative input (read: hijacked the paper); I set out to make something that students may actually enjoy reading.
 
Hence; I reviewed four albums/EP's, crashed Just Carnage's band practice to ask them about their plans for a flash-mob music video, reviewed a music showcase at the college, pitched an interview with Anavae (without asking them first-a risky move that paid off), and recalled my experiences of 'fangirling' to Sparkly Touch and A Guidance From Colour at Twin Atlantic's Bristol Academy gig for the Live Review feature. To top it all off, I got to write the Editor's Letter, inviting the Lower Sixth to get involved with the publication in future.
 
I had a thoroughly enjoyable time working on Forward Magazine's Music Issue; and it's safe to say that Music Journalism would be a career path I would love. However, if Matt Flyzik or Barry McKenna want to throw in the towel, I'd happily take over. (I'm good with clipboards, not quite so good with the guitar yet. Here's hoping...)

Wednesday, May 1, 2013

May Mixtape

It may be the first of May already, but Spring only seems to have started this week. With the sun shining, but summer not yet being in full swing, this months' mixtape contains a little of the old and a little of the new. After I finish college next month, I'll have no idea what lies ahead, and therefore I am taking comfort in the songs of some of my favourite bands; whilst appreciating a few new sounds along the way.

1. Walking In Memphis-Sam McTrusty



While this live cover from Twin Atlantic's gig at King Tuts last year makes me want to throw the southern sunshine out the window and hot-foot it to Glasgow as soon as possible; I'm still reasonably happy hearing this from where I'm at. Marc Cohn's iconic song in the hands of McTrusty makes me forget that Twin Atlantic are a rock band; and frankly breaks my heart. It's beautiful.

2. Paramore-Paramore



So this one's bit of a cheat. Paramore's self-titled album has made it on to the May Mixtape, due to the fact that I've finally accepted their new sound. It was a long time coming, as I pined for Drop-D tuning and angsty lyrics; mourning the loss of their old sound.

What first made Paramore special to me was their attitude and the words they had to say. Both I'm pleased to say remain on this album. At some point or another, we all have to draw a line through the past and move forward. The band have done that; with a new, almost soulful sound that when heard in full reignites the faith. I'm still into you Paramore. Sorry that it took a while, but hey we all get lost along the way.

3. Teenagers-Hayley Williams



This older, playful tune showcases Paramore's new formula. The uplifting melodies and sarcastic lyrics prevent the band from ever becoming manufactured sell-outs.

4. Moon-Foals



The Oxford quintet are fast becoming my new musical obsession. The punk spirit in me is getting concerned at all the 'technically good' music I'm getting into. Fortunately, Foals are a band that can play it cool while keeping things exciting. I'm looking forward to catching them at Reading.


5. Dakota-Stereophonics



My parents haven't done much for my musical education. However, the Stereophonics are a little bit of long forgotten audio gold that I stumbled across about three years ago. Dakota is a train song. You know what I mean. It induces 'a moment'. You're sitting there, headphones in, forehead pressed against the window, rain streaming down outside, the song starts, the train stops, you get off and your story begins...maybe that's just me?

6. VCR-Manners



I caught Manners live recently and they were great in an understated, we don't care whether you're here to watch us or not kind of way. Definitely cool, and definitely catchy.

7. Degausser-Brand New



A punk yet alternative-rock track with lyrics and drops that'll blow your mind. Brand New simultaneously make you want to cry, declare their epic-ness, and just scream really loudly. Un-formulaic and talented; I think that they might have become my favourite band, and they're playing Reading and Leeds. The storm is coming...

Sunday, April 28, 2013

Review: Lower Lands-Growing Pains




The line drawn cover of Growing Pains by I AM MIGHTY RECORD'S, Lower Lands may appear youthful and naive but, as the lead singer shouts 'I'm ready to feel alive' on opener, Wide Eyes; it becomes apparent that the band are frankly jaded with the small town game. Their EP, which came out last year, is conclusive proof that the hard working band deserve big-time success. The record showcases their Lower-Than-Atlantis-But-Better witty lyrics and Twin Atlantic-level of catchy alternative rock melodies. Stand out track Reality In Routine is the most addictive; and anything but monotonous.

Review: Foals-Holy Fire

 
 
Foals' latest album Holy Fire has, in my opinion, moved the band from hipsters to contenders for the title of possibly-the-best-band-of-the-moment. The opening track builds tortuously slowly; giving a taste of the intricate guitar work, backed by steady rhythms that are yet to come. Inhaler and My Number are upbeat and anthemic; a lush antidote to the laconic-indie-folk that us Brits feel inclined to entertain. Unlike many others in the game, Foals are exciting, even in their languid moments. Bad Habit is M83-esque while Everytime should blare at Reading as the sun drops over the western horizon. Late Night builds and builds to Spanish Sahara proportions and Out Of The Woods lyrically reaches the standards of Coldplay.
 
A year or so ago, I'd dismissed the band but their latest effort has irrevocably altered my opinion. Currently kicking myself that I didn't catch them on their last UK Tour, I have high hopes for this years' Reading and Leeds. Foals' unique ability to produce fantastic records that translate as easily to indie-club nights as they do to sweaty live shows is what sets them apart. Uplifting, dance inducing tunes fight against their edgier moments; which is why they're the only band who can soundtrack both a mosh pit and a trip to Urban Outfitters. Despite this contradiction; Holy Fire is slick, steady and set to propel the popularly-cool Oxford quintet to further heights. For once the hype is not an overstatement. 
 
 

Friday, April 26, 2013

Manners@TheLiveRoom



It's a rare thing that I attend a gig for the support act alone: and an even rarer event that any decent bands happen to play in my town. Completely lacking in live music venues, The Live Room arrived this April; opened by a local entrepreneur who figured that it was time we had somewhere to go for gigs other than the Apple & Parrot. Unassuming from the outside, sandwiched in between The Body Shop and a Burger King, the inside of the venue is surprisingly understated and cool. 7-inch's cover the wall behind the bar and a guy at the merch stand was casually being tattooed when we entered.

Whilst my friend and I waited, band members drifted amongst the slowly gathering crowd. Port Erin and Missing Andy were on the bill but it was Manners who we had come to see. Comprising Rory Sear, Robbie Carman, Max Cheetham and Toby Carmichael, the band have already played all over the Southwest, and I'd expected the gig to be packed for this reason. However, with the crowd a little thin, skulking around at the back wasn't an option. A foot from the stage, the band's mates gathered and we joined them to witness the guys deliver a tight set that should have put them at the top of the bill. They played a mixture of indie songs off their Barnhouse Sessions EP [here], and showcased their new sound in the form the frenetic VCR. If Rory's Fidlar t-shirt is anything to go by, Manners might be moving in a punk direction; for which I would only be grateful.

I was surprised that such a good band (and there's a lot of crap ones around) didn't pull a larger crowd. It's not much of an effort to support musicians when they're starting out-a local gig is cheaper than a cinema ticket, and a lot more of a laugh than sitting bored in Perkins when you're designated driver. In the future, I bet that The Live Room will be jammed on a weekend evening, but for now it seems that Taunton needs a bit of convincing to leave its preference for substandard club/pub nightlife behind. I guess all you can do is keep an eye out for any Manners gigs in the pipeline; and buy a ticket so that you're not kicking yourself in two years time when NME are all over them. Here's a track.




Thursday, April 18, 2013

AIE Anniversary!


One year of entirely independent articles, interviews and gig coverage

An Indie Education turns one year of age this April and to celebrate, I have made the ultimate playlists of everything I've loved over the past year. Let me know if you have any similar favourites.

Top 12 Albums
1. Don't Panic-All Time Low
2. Free-Twin Atlantic
3. Into The Aether-Anavae
4. Only By The Night-Kings Of Leon
5. Pala-Friendly Fires
6. Riot!-Paramore
7. So Wrong, It's Right-All Time Low
8. Sometimes-City and Colour
9. Transatlanticism-Death Cab For Cutie
10. Vices and Virtues-Panic! At The Disco
11. All We Know Is Falling-Paramore
12. Vivarium-Twin Atlantic

Top 5 Songs
Sparkly Touch
World In A Bottle
Reckless
Seventy Times 7
Jesus Christ

Top 5 EP's
A Guidance From Colour
End Of The Spectrum
Stormchaser
Another Atmosphere
Sweet Swears

Top 2 Books
The Great Gatsby
The Lonesome Traveller

Top 2 Gigs
Twin Atlantic
All Time Low

Favourite Lyrics

Poppin' Champagne-"Lately I've been wishing the television set would show me more than just a picture of the things I've grown to detest."

World In A Bottle-"Waking up clutching shards of broken glass, shattered reflections of a broken world."

We Want Better Man-"I wish I would have listened with conviction and grace. Instead I stand here screaming at a docile human race."


Wednesday, April 17, 2013

Forward Magazine Preview





Forward Magazine S/S '13 is in its final proof stages. Here's a sneak preview of my interview with Anavae, who incidentally, are now signed to LAB Records (I'm used to fast moving press and didn't think that it would take six months for the publication to come into print). Despite this, there are reviews of local music showcases, an interview with pop-punk's Just Carnage, and a good few LP/EP reviews. Still to come will be my Twin Atlantic  'Join the ranks, join the ranks.' article and my Editor's Letter. Enjoy.

Tuesday, April 16, 2013

April Mixtape



1. Still Into You-Paramore



2. Don't Save Me-Haim



3. Storm Chaser-Anavae



4. Future-VersaEmerge



5. Catastrophe-VersaEmerge

Tuesday, April 9, 2013

Band Crush: Twin Atlantic

In my opinion: if you can transform a cover of a generic pop song into a manifesto for your band, you're doing something right. Being classic India, I initially missed the name of the Scottish band who were performing a live rendition of Jessie J's Who You Are, on Radio One, well over a year ago. The trite chart-topping song seemed to take on a deeper meaning as it was refracted through Twin Atlantic's perspective. The band, who've risen up the ranks due to their extensive touring and remarkable work ethic arrived in my life at a point where they seemed poised for stratospheric success. Despite this, lines like 'You can climb straight into our hearts. You can close your eyes and fight with the art.' seem to signify their decision to stop doing what they thought they should, and start producing music that they truly believed in, as they'd planned from the start. Ironically, in this world of a formulaic route to success; the moment Twin Atlantic tossed the handbook out the window, the better, and bigger they became.

-the music Prior to getting acquainted with their music, I'd been an All Time Low, Paramore, You Me At Six-kinda girl, who favoured catchy pop-punk. However, Free became one of those game changing albums, that makes you question everything you thought you'd believed in, and re-regard everything you thought you'd loved. Behind the brilliant melodic rock are subtly honest lyrics that make their music transcend that of their contemporaries. Twin Atlantic are poppy without being pointless, maintain a punk spirit that spans more than three chords, are heavy without making me want to leap from an altitude, and most of all important. Their music is a voice of reason: a guidance if you like from the painted colours; the fake, homogenised, commercial crap that we blindly accept. On their site it says that they're 'making music for people to believe in again'. Disillusioned as I've become of late with even of some of my favourite bands, I'm looking forward to hearing what Twin Atlantic have to say next. I've got my fingers crossed that they'll still be screaming at our docile human race.

-the gigs (See what I shot and saw of their November 2012 Tour, @02AcademyBristol here)
Twin Atlantic were a terrible choice for my first 'proper' gig and it's due to the same reason that pudding is supposed to be eaten last. One month and two days after being mind blown by their meaty set at 02 Academy Bristol, I travelled down to Wembley for You Me At Six's Final Night Of Sin. The previous holders of the 'my favourite band' title had promised a night to remember and certainly managed to deliver. The gig was loud, violent and saw 10,000 people belting out lyrics in unison. The evening also carried the right sentiment; with Josh Franceschi trash talking The X Factor and mainstream press between songs. But I couldn't help but compare with the 'crisp white collars upon us' and subtle asides in Twin Atlantic's songs that clearly convey their own perspectives on the state of society, in a more skillful way. Sometimes the quietest words shout the loudest and perhaps the more intimate gigs are the best.

-why I love Twin Atlantic

-They're a gateway band to other better things. Named after Death Cab For Cutie's Transatlanticism, I thought I better give some of their favourite music a try. Cue Blink182 and Brand New; two brilliant bands who I now love for completely different reasons.

-Vivarium and Free are both beautiful records.

-A Guidance From Colour is my favourite song I've ever heard. I may copy this guy one day soon.


-Their b-sides are even better than their singles.

-If and when they decide to jack it all in, Craig can keep us all in hysterics with his Warped Tour anecdotes about crazy Americans dressed as cheese.
.
-They wrote Sparkly Touch. I love Sparkly Touch. A guy from college mentioned that he saw me dancing to Sparkly Touch at the gig. He was on the balcony. I was near the front. I am clearly a distinctive dancer.

-They completely lack pretension and seem unapologetically themselves, which is a rarity nowadays.


-I'm going to Reading Festival solely because they're playing.

-"Twin Atlantic songs make me feel life."-someone on YouTube who speaks for us all.


If Ross, Craig, Barry and Sam ever see this, firstly 'TA' for being the best thing to happen in this industry, and secondly, where on earth do I get a guidance from colour?  x

Review: In Love-Peace



On the cover of their debut album, Birmingham's Peace are tucked up in silky crimson sheets; presumably dreaming sweetly after 'In Love's' eventual release at the end of last month. Boasting ten tracks, the record is frantically upbeat in places and sounds like an Oasis album in others. 'Sugarstone' could have been nabbed off the Gallagher brothers themselves while 'Lovesick' is a classic slice of British indie. 'Followbaby' and 'California Daze' have clung on from EP Delicious; with the latter concluding their LP. 'In Love' is hazy around the edges; and the audio blends seamlessly from one song to another. Naturally, 'Wraith' stands out; if only for it's booty-shaking, genre-busting music video.

Peace have the ability to produce nostalgic tracks that are catchy without being monotonous. As 'In Love' switches back and forth between music for peace-insignia-toting-nineteen-sixties-hippies and electro beats for the iPhone generation; one gets the sense that the band have subtly collated the best of music's recent history. Grungy nineties baselines, intricate guitars and a dash of 'Foals'-esque choruses combine with the bands' own frenetic energy and reckless lyrics. The result is a timeless soundtrack to our contemporary lives. While it may 'lack depth', the album's broad range of influences enable the band to obliterate the notion of generic landfill indie. Encompassing youth, vivacity and a penchant for breaking into ice-rinks; 'In Love' may be ephemeral, but Peace are here to stay.

Tuesday, March 19, 2013

Radar: Alexander

 

It usually takes a good few plays for me to like a song, however a small handful of bands in the past have managed to make an instant impression. Alexander fit this category: and the Newcastle based indie rock band have recently joined ranks with bands like Lower Lands on the label, I Am Mighty Records. Their first single 'You Lost Yourself' is instantly catchy and available on iTunes ahead of their debut album 'Say Hello' which in turn will be released in the upcoming months. Until then, catch the band on tour at the dates above and keep your fingers crossed that we will hear more from them soon.


Why Is Fashion 'Thin' And What Is Its Effect?


While many of the writers, editors, stylists, designers and photographers in the fashion industry are far from ‘perfect’, they choose to project the image of ‘the ideal body’ on impressionable minds. Why is fashion ‘thin’ and what is its effect?

The definition of fashion is as follows; style in clothes, cosmetics, behaviour etc. esp. the latest or most admired style. ‘Admiration’ in the world of fashion lies far from the notion of coveting a particular item of clothing. Rather, when we admire fashion, we admire the images that fashion projects. Fashion is all about controlling how we are looked at; it is assumed that you can control or alter people’s first impressions of you by the clothing that you wear.

Fashion designers dress their muses in their creations and send the racehorses strutting down the catwalk in a flurry of cheekbones, hipbones and gleaming, pale skin. If there is any doubt that designers use models to tap into the desires of the target market, you need only compare the curvier models of American underwear monopolists Victoria’s Secret with the waifs of the trend led catwalks. Fashion models are walking coat hangers whose figures do not distract from the garments, whereas the lingerie models are chosen to embody ‘sexiness’ in order to sell provocative underwear.
This example shows the two images of perfection that we are inundated with. A: the sexy, toned and beautiful Barbie-doll aesthetic that has been around since our current hegemonic ideology has been upheld, or B: the bony waif depicted first in 1990’s grunge culture, perhaps sparked with photographer, Corinne Day’s penchant for heroin chic. An antithesis to the overdone glamour of previous editorials, Day portrayed candid documentation of drug abusers and more famously, heroin chic poster girl Kate Moss, infamously quoted for stating that “Nothing tastes as good as skinny feels.” Far from conventionally pretty, Moss was just edgy, young and skinny. Nowadays, the criteria that distinguished Day and Moss from the rest are the status quo.

Models aren’t slender, they are skinny. The appeal of ‘A’ diminished as concave stomachs, visible rib cages and bony legs surpassed what was previously considered a ‘perfect body.’ Fashion editorials, runway coverage and the media as a whole turned to this stripped back aesthetic. A scrubbed-up heroin-chic that required dramatically thin measurements saw fully grown women in the public eye plummet to the weight of a twelve year old. 100 pounds, seemed like the golden goal.
Kelly Brownell, a US expert in eating disorders says that “the media contribute to a toxic environment in which eating disorders may be more likely to occur. This is because of the ‘Damaging Paradox’ of modern society.” The media promotes a low-weight, toned body and our current environment “provides an increasing array of foods high in fat and calories with compelling pressures to consume.” Consequently “the gap between the ideal and the normal body weight is giving rise to anxiety. We seek to reduce this anxiety by reducing our weight.”
In the online article The Media And Eating Disorders, Deanne Jade writes that “There is no doubt that the media provides significant content on body related issues to young women, over fifty per cent of whom read fashion and beauty related magazines. The exposure to ideal images coincides with a period in their lives where self-regard// is at its most fragile. Girls thus find themselves in a subculture of dieting, reflecting messages//from parents, peers, members of the opposite sex as well as the media.”

Today it is harder for women and men alike, to become satisfied with their body image as we aren’t living actively. It is tougher to maintain one’s figure in a modern society where we live online, eat out of packets and constantly compare ourselves with everybody else. It is not much of a surprise then that in this digital age, many young women have taken to the Internet to encourage weight loss and engage competitively in the quest for ‘the perfect figure’. Whereas adults turn to Weight Watchers and the like for moral support; teens have a far more secretive and dangerous way of ‘tracking their progress’.

Online site, Tumblr has unwillingly bred a corner of cyber-space dedicated to ‘#proana’; where people swap ‘thinspiration’, diet tips and images of their ‘progress’. Typing ‘proana’ (which stands for pro-anorexia, which is unfathomable in itself) into the search box throws up thousands of images of models, fruit and ‘encouraging messages’. The blog titles range from ‘hip-bones-wanted’ and ‘only-fat-people-eat-bread’ to ‘reaching-double-digits’. The latter posted this message “Re-post if you’re an eating disorder blog so I can follow you.” Grids of the ABC diet (anorexia-boot-camp) encourage a 500 calorie-and-under diet plan that condones a fast every few days. Here, young people actively encourage each other to develop eating disorders. Even girls that do not partake in this kind of competitive dieting, feel the pressure. One girl that I spoke with says that online, it is virtually impossible to avoid pictures of ‘thinspiration’ even though she doesn’t actively search for them. She admitted that while she would like to look like the women in those images; it isn’t worth starving herself.

It seems that these teens have developed a fixation with being ‘prettier and thinner’; thinking that ‘achieving’ this will in turn make them happier/more successful/more attractive people when in reality, many people who suffer from an eating disorder and recover; often remain anxious about their body image and suffer a guilt-ridden relationship with food. “Even though I’m in shape, if I eat something ‘bad’ I immediately feel rubbish about myself. I eat chocolate and then think, ‘now I’m going to have to go for a run tomorrow’.” Another anonymous post followed the same line of thought. “I always complain that I’m fat, and then raid the fridge anyway. I think it’s because we aren’t supposed to eat junk food, that we want it. They (the magazines) make us think that we can’t treat ourselves, so we want to. That’s how the guilt relationship starts.”

A university student, age 21, spoke to me about her views on the impact of fashion magazines upon body image. “I think magazines and the media are the main cause of society’s negative view on body image. Magazines show what is supposed to be relevant but by only showing women up to a size 12 (at a push) it alienates bigger women and makes them feel inadequate.” She continued “I know personally as a plus size woman that even though demographically I am the magazine’s target audience, I can’t/won’t read them because they don’t show anything relevant to me because of my size. When the average woman is a size fourteen, and they neglect to represent them, they’re missing out on a large portion of readership. It’s a shame and even having a division between ‘plus size’ and ‘normal size’ can be damaging to someone’s self-esteem.”

Fortunately, some are helping to change the ridiculous notion that ‘plus size’ isn’t pretty. 23 year old model Robyn Lawley began her modelling career at 16, living on apples and counting calories as she tried to meet the modelling industry’s “corrosive skinny standards.” However after returning to her natural size (12-14) and becoming the face of lingerie brand Boux Avenue, she made Elle and Vogue covers. “’I tell tall girls, being tall and curvy is the double whammy! But confidence is really sexy. I love my shape. I love my body. I’ve come a long way.’ She adds: ‘I genuinely want companies to take notice and start being more realistic about who their customer really is. I hope to keep breaking down those barriers.’”

In an online survey that I created, 100% of the participants agreed that fashion magazines can influence body image. One person commented that “I often look at models in magazines and compare myself with their thin frames. While it makes me more conscious of my diet, I have the knowledge to prevent me from taking drastic steps to lose weight.” While 68.2 % of respondents thought that fashion editorials sent out a negative message; fifty per cent said that people on the television influenced their body image most. However the remaining 50 % stated that images from the Internet are the most influential. One participant commented that “I’m not that affected by magazines but I may be affected by people on the television and pictures on the Internet.”
A participant anonymously revealed the cause of their own eating disorder. “I remember that the reason I started was actually because I saw a television show about how being Anorexic and Bulimic was bad…how did that happen? I can’t stop now that I’ve started no matter how hard I try. It’s the only control I have.

One of the issues with television it seems, is when the representatives of the 16-18 year old demographic are misrepresented in the media. Exports from the US like 90210, cast size-zero twenty year-olds with gleaming hair and perfect skin as high-school students. “I’d say television actually does a lot more damage than magazines I’ve seen. Most of us know that models in magazines aren’t ‘real people’; they’re airbrushed and fake. But characters in TV and movies are supposed to represent real, 3-D people with personalities and lives. When everyone in that setting is super-thin and attractive (especially the women) it can certainly warp the way people think about themselves.”
When asked who they most compare their body image with, 81% selected their peers as their main point of comparison. However, 68.2 % cited celebrities as an additional influence. 57.1 % had even bought something in order to emulate someone in the public eye at one point or another; which supports the idea that we are influenced not only by magazines, but the media in general. “There is no doubt that media affects my body image. I’ve had an eating disorder for five years now and while I don’t necessarily believe that the media alone can cause an eating disorder, it certainly encourages unhealthy eating habits. Also, for someone who may already have a biological predisposition to disordered eating, I definitely believe it can push them over the edge.”

This is the perfect example that the media we are exposed to can directly influence our body image. Whether it manifests as a television programme, website or film, I have gathered conclusive proof that the media makes a significant impact on the majority of people. Despite the statistical proof that the television and Internet influence body image the most; 72.7% still agreed that models in magazines were too thin and 81% felt that fashion magazines indirectly cause eating disorders.

With their miscellaneous contradictions, praise for the immaculately beautiful, criticism for the rest of us and yet campaigns like Cosmo hearts your body in Cosmopolitan; readers are often left with a distorted image of what is right. Magazines can often feel like they’re dictating our standards; encouraging insecurity and suffocating us with costly solutions to our problems. If one remembers that our problems are created by their issue with us, their need for financial gain and not a personal hate crime against ourselves then their impact on our body image should diminish. If they were urging us to eat copious quantities of junk food because being in shape was as ‘disgusting’ as they portray excess fat to be, would you follow their regulations? We seem to have a predisposition to adhere to their rules but it seems that now is an apt time for a game change.
Models are just images printed on paper; one person’s ideal showing off their own sartorial creations. A figment of imagination if you will. We shouldn’t be affected by something as intangible as someone else’s daydream.